Critical Magic 비평 적 마술 is a mixed-reality immersive performance by HYENAZ that fractures physical and mental isolation through somatic labor, sound, and contact. Between June 2016 and July 2018, the work’s full score unfolded 28 times—mirroring lunar phases—as part of their Probability Praxis Series. Each iteration relied on spontaneous interlocutors (volunteer performers) who bridged HYENAZ with site-specific communities, from Seoul to online spaces during the pandemic’s 2020 isolation peak.
The project dismantles the performer-audience binary, reimagining bodies as co-creators of transient utopias. Locations were conceptually mapped with the interlocutors beforehand, then post-processed through communal writing and feedback.
In each performance, HYENAZ invited audiences to join them in the performance of a ritualistic score. Each performacne revealed the challenges and joys of being together in a room, reading consent from strangers and near strangers, collectively building up our energies to reach the “height of gnosis” where a portal to personal and political change opens . As a marvellous and messy organizing of bodies, positionalities and perspectives, it was always a new performance. This praxis transformed each iteration into what HYENAZ term “a marvellous and messy organizing of bodies, positionalities and perspectives“.

Critical Magic 비평 적 마술 emerged from a site specific performance called “Spectral Rite” (2014) commissioned by the National Museum of Modern and Contemporary Art (MMCA), Seoul with HYENAZ working under the direction of Korean artist Sylbee Kim. In this performance HYENAZ led a procession through the gallery environment, traversing its exhibits, and engaging its public. HYENAZ invoked a ritual to mourn a industrial accident during the construction of the gallery that had been suppressed in public memory and which had left many workers dead and injured.
From this initial performance Critical Magic 비평 적 마술 has evolved into a uniquely interactive performance that integrates electronic music, chaos magic, performance art, digital media, and interactive play; a moment outside of the everyday where HYENAZ blur distinctions between audience/performer and concert/interactive ritual. Critical Magic 비평 적 마술 walks the fine line between theatrical performance piece and sonic concert, critical theory and pop sensibility, bringing its audience into a liminal space of discovery.
Evolving into a hybrid of chaos magic, performance art, and electronic rave, Critical Magic 비평 적 마술 came to occupy a liminal zone between concert and interactive ritual. Styling by Yeorg Kronnagel (makeup/accessories) and Juan Chamié of EXIT (House of EXIT costumes), its aesthetic merged the celestial with pop spectacle. The music was mixed by HYENAZ and Bartłomiej Kuźniak, with high definition mastering by Bartłomiej Kuźniak at studio333.
Over two years of Probability Praxis workshops, HYENAZ refined the piece through public blogging and commentary, ensuring no two performances repeated.
“We want to thank each and every one of our interlocutors who have danced live and on screen with us throughout this series. They created worlds and pictures the likes of which we have never seen before or since. Our Interlocutors throughout this series have been:
Federica Dauri, ReveRso, Valentin Tszin, Nuit Nile, Donato, Savage Slit, David Wampach, Nathalie Mondot, Hana Frisonsova, Tereza Silon, Non la Décadence, Lu, Bishop Black, Olave Nduwanje, Pascal Mourits, Sanne van Driel, Yareth Habermehl, Dennis Snorremans, Lizzie Masterton, Mil Vukovic-Smart, ROC, Simon(è) Jaikiriuma Paetau, Danilo Andres, Yozhi Yazooma, Mojmir Mechura, Ambra Stucchi, Charlotte Busch, Isabel Jagoda, Joschi Rotheneder and Anonymous“

Presentations
1. RTS-ZI RITOPEK, SERBIA PROBABILITY PRAXIS 1 of 28 – NEW MOON 8 JUNE 2016 (Special Thanks to our host Dragan Ilic)
2. Red Gate Arts Society, Vancouver, BC Canada PROBABILITY PRAXIS 2 of 28 – WAXING CRESCENT 2 July 2016
3. Masseria Jesse, near Alta Mura Italy PROBABILITY PRAXIS 3 of 28 – WAXING CRESCENT 12 July 2016 (Special Thanks to our host Donato)
4. Urban Spree, Berlin, Germany PROBABILITY PRAXIS 4 of 28 – WAXING CRESCENT 21 October 2016 (Special Thanks to our Interlocutors: Federica Dauri, ReveRso, Valentin Tszin)
5. Cassera, Bologna, Italy PROBABILITY PRAXIS 5 of 28 – WAXING CRESCENT 28 October 2016
6. Clandestino, Faenza, Italy PROBABILITY PRAXIS 6 of 28 – WAXING CRESCENT 30 October 2016
7. ARGEKultur, Salzburg, Austria at Open Mind Festival PROBABILITY PRAXIS 7 of 28 – WAXING CRESCENT 19 November 2016
8. Humain trop Humain, Montpellier, France at Festival EXPLICIT PROBABILITY PRAXIS 8 of 28 – FIRST QUARTER 26 November 2016 (Special Thanks to our Interlocutors: Savage Slit and David Wampach)
9. La Colonie, Paris, France at MN³ w/ Polychrome – Society of Silence PROBABILITY PRAXIS 9 of 28 – WAXING GIBBOUS 17 December 2016 (Special Thanks to our Interlocutors: Nathalie Mondot and Anonymous)
10. Underdogs Ballroom, Prague, Czech, with MENU and Hana Frisonsova PROBABILITY PRAXIS 10 of 28 – WAXING GIBBOUS 20 May 2017 (Special Thanks to our Interlocutors: Hana Frisonsova and Tereza Silon and Thanks to our host Zdeněk Konečný)
11. Het-Bos, Antwerp, Belgium, STRANGELOVE Festival PROBABILITY PRAXIS 11 of 28 – WAXING GIBBOUS 2 June 2017 (Special Thanks to our Interlocutors: Non la Décadence and Lu)
12. Hedonist International Congress, Rechlin–Lärz Airfield, Lärz, Deutschland, PROBABILITY PRAXIS 12 of 28 – WAXING GIBBOUS 10 June 2017
13. Commune, Yerevan, Armenia PROBABILITY PRAXIS 13 of 28 – WAXING GIBBOUS 8 July 2017
14. Ponderosa Movement and Discovery, Stolzenhagen, Germany PROBABILITY PRAXIS 14 of 28 – WAXING GIBBOUS 22 July 2017 (Special Thanks to our Interlocutor: Tereza Silon)
15. Chateau Perche Festival, France PROBABILITY PRAXIS 15 of 28 – FULL MOON 5 August 2017
16. Garbicz Festival, Poland PROBABILITY PRAXIS 16 of 28 – WANING GIBBOUS 5 August 2017 (Special Thanks to our Interlocutors: Tereza Silon and Bishop Black)
17. Loppen. Christiania Denmark PROBABILITY PRAXIS 17 of 28 – WANING GIBBOUS 13 August 2017
18. AMS St. Georgen im Schwarzwald PROBABILITY PRAXIS 18 of 28 – WANING GIBBOUS 1 September 2017
19. WORM, Rotterdam, Netherlands PROBABILITY PRAXIS 19 of 28 – WANING GIBBOUS 2 September 2017 (Special Thanks to our Interlocutors: Olave Nduwanje, Manon la Decadance, Pascal Mourits, Lu, Sanne van Driel, Yareth Habermehl, Dennis Snorremans)
20. Winchester, England. Probability Praxis 20 of 28 15 September 2017 WANING GIBBOUS
21. COVEN – Underdog Gallery, London, England. Probability praxis 21 of 28 WANING GIBBOUS 16 September 2017 (Special Thanks to our Interlocutors: Lizzie Masterton, Mil Vukovic-Smart)
22. Zürich. Les Belles des Nuit PROBABILITY PRAXIS 22 of 28 27 October 2017 THIRD QUARTER
23. Queercore how to punk a revolution UT Connewitz, Leipzig, Germany. PROBABILITY PRAXIS 23 of 28 11 November 2018 WANING CRESCENT
23A. Urban Spree 17 February 2018 <<48 MINUTE SET >> (Thanks to our Interlocutors: ROC, Bishop Black, Simon(è) Jaikiriuma Paetau, Danilo Andres)
23B Köpi, Berlin, DE 30 April 2018 <<48 Minute Set>> (Thanks to our Interlocutors: Tereza Silon, ROC, Simon(è) Jaikiriuma Paetau , Federica Dauri)
24. S L Y // H Y E N A Z // PUNCTUM, Prague, CZ. PROBABILITY PRAXIS 24 of 28 20 May 2018 WANING CRESCENT (Special Thanks to our Interlocutors: Tereza Silon, Hana Frisonsova, Yozhi Yazooma, Mojmir Mechura)
25. Queer Culture, Thiembuktu, Magdeburg, DE PROBABILITY PRAXIS 23 of 28 26 May 2018 WANING CRESCENT
26. Torstrassen Festival, Berlin, Germany. 09 June 2018 WANING CRESCENT Berlin (Special Thanks to our Interlocutors: Ambra Stucchi, Simon(è) Jaikiriuma Paetau)
27. Les Beau est Toujour Bizarre, Parterre Am Ry, Basel, CH 16 June 2018 WANING CRESCENT
28. Kultur Fabrik, Hildesheim, DE 05 July 2018 WANING CRESCENT (Special Thanks to our Interlocutors: Charlotte Busch, Isabel Jagoda, Joschi Rotheneder)

CREDITS
| Lead Artists | HYENAZ |
| Music | HYENAZ |
| Spectral Rite Performance Direction | Sylbee Kim |
| Text | HYENAZ, Sylbee Kim, Nico Pelzer |
| Makeup & Styling | Yeorg Kronnagel |
| Costume Design | Juan Chamié (House of EXIT) |
| Sound Mixing and HD Mastering | Bartłomiej Kuźniak (studio333) |
| Special Thanks To | Quecke Autonomous Feminist Community, Springstoff |
