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Adrienne Teicher

Tag: feminism

  • The Visual Feminist Manifesto

    The Visual Feminist Manifesto

    Dates

    2, 4 & 8 February 2025International Film Festival Rotterdam (Premiere)

    Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

    The moment of birth, the possibilities of childhood, the growing pains of teenage years, the expectations imposed by society on young women: The Visual Feminist Manifesto explores how a woman’s life is crafted by the world around her. We are witness to the ways in which she makes meaning, both from her personal experience and how she is told she must behave, both deeply shaped by patriarchal structures. Repeatedly told that women are “less than”, her behaviour is made small by the threats of shame, fear, and ostracisation. All the while, she is seeking something more emancipatory.

    Farida Baqi brings us into the fold through the life of an unnamed woman in an Arab city, homing in on the experience of a cisgender woman making encounters with heterosexual desire. But the filmmaker’s ode will resonate with many, united through universal emotions of joy, pain, love, and frustration. 

    Contrasting shots depicting the urbanity of an Arab city and the gentle scenery of the seaside, Baqi makes a woman’s life inextricable from the spaces and places around her, all the while hinting at a more liberatory future forged through solidarity.

    Credits

    DirectorFarida Baqi
    MusicMad Kate | the Tide, HYENAZ, Lynn Adib
    Sound DesignStudio Mitte, HYENAZ
    ScreenplayFarida Baqi
    CinematographyJanne Ebel
    Principal castAmal el-Hani, Lynn Adib, Rosalie Cella, Gaël Abou Jaoude, Michelle Zallouaa, Norah Toledano, Alice Canzonieri
  • Like Lovers Do

    Like Lovers Do

    Dates

    24 March 2022Volksbühne Berlin (Performative Reading)

    In myth, Medusa is raped by the god of the sea, after which she transforms into a winged figure with serpent hair, whose gaze turns anyone to stone. Medusa’s violent, kaleidoscopically structured memoirs in Sivan Ben Yishai’s work are a dedication to all lovers, cataloging moments of our collective memory: between desire and violence, between porn and sexual fantasies, between political attacks and familial complicity in looking away. In a seemingly contrasting scenario, five young girls collectively imagine the dream man of their future, involuntarily casting themselves as perfect attributes by his side. On a third narrative thread, the author drafts a literal reversal dynamic of traditional storytelling patterns:

    A woman picks up a knife, leaves the crime scene of the marital bed, hijacks a crowded bus, and shifts into reverse gear to collect century-old storylines and all the battered human love-flesh, decomposing them. Could it not become humus for an eco-sphere of feminist narratives?

    BuySuhrkamptheater

    Credits

    TextSivan Ben Yishai
    German TranslationMaren Kames
    Audiobook Sound DesignHYENAZ
    Performative Reading Live Sound DesignHYENAZ
  • Oder: Du Verdienst Deinen Krieg

    Oder: Du Verdienst Deinen Krieg

    (8 Soldiers Moonsick)

    Dates

    8-11 November 2019Maxim Gorki Theatre, Studio Я

    Eight young female bodies are lying in a tent, breathing in unison and protecting the rifles under their mattresses, waiting for the next mission. Their nightmares during the night and the daydreams of army’s everyday life are experienced together.
    Again and again the soldiers circle the multiple possibility of their own death. What dies in a person when they operate the trigger of a loaded gun? When does the dispossession of your own body begin?
    In the fourth part of her tetralogy, Let The Blood Come Out To Show Them, writer Sivan Ben Yishai holds a ceremony of memory. Which visible and invisible traces does serving the so-called fatherland leave in a person?

    Selected for Radikal Jung – Festival für junge Regie 2020.

    Credits

    Written bySivan Ben Yishai
    Directed bySasha Marianna Salzmann
    Sound DesignHYENAZ
    Stage & CostumesCleo Niemeyer
    DramaturgyRebecca Ajnwojner
    Dramaturgic AdvisorAnna Heesen
    Lighting DesignFritz Stötzner
    Sound EngineerMiloš Janjić
    TranslationMaren Kames
    CastKenda Hmeidan, Abak Safaei-Rad, Elena Schmidt, Catherine Stoyan