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Tag: film

  • Audio Services

    Audio Services

    HYENAZ have a vast body of work in location sound, musical scores, sound design, voice overs and post production. As performers with experience both behind and in front of the camera, on and off the stage, they thrive in projects where sensitivity and imagination are desired. With their longstanding practice in sound design, they bring a deep awareness of the needs of post production when recording audio on set.

    CASE STUDy: Chokehole – Drag Wrestlers Do Deutschland

    Desire Productions

    Chokehole is a New Orleans-based drag wrestling show that travelled to Hamburg’s Kampnagel Theatre in 2022. HYENAZ approached Chokehole’s audio challenges with a hybrid strategy of precision and adaptability. During rehearsals, they deployed discreet wireless lavalier mics and booming to capture both in-depth interviews and spontaneous moments between performers, prioritizing mobility to avoid disrupting their pre-show rituals.With tight turnaround times between backstage prep and stage cues, our setup allowed seamless transitions from intimate confessional-style dialogue to dynamic group interactions, all while maintaining broadcast-ready clarity.

    Anticipating licensing constraints for the show’s music, we mapped key moments during rehearsals to identify irreplaceable vocal textures and environmental sounds—body’s landing on the ring, performer’s signature sounds—that would later anchor the soundscape in post production, alongside original music we composed to drive the madcap arc of these renegade wrestlers.

    Case Study: Umoⁿhoⁿ — Against the Current

    Humboldt Forum

    For this documentary installation centering the Umoⁿhoⁿ people’s resilience, HYENAZ’s Roi Fischer focused on capturing sound with cultural and emotional fidelity. Working across Nebraska’s open plains, communit college spaces, subjects’ homes, and communal gathering sites, Fischer adapted techniques to each context. Many of the interviews exploring difficult material including intergenerational trauma, so Fischer prioritized discretion while honoring their words with clear, initimate recordings.

    equipment list

    EquipmentDaily Rent
    Sound Devices MixPre-6 II Portable, Six-Track Audio Recorder with Timecode30
    Sound Devices 702T Portable, Two-Track Audio Recorder with Timecode20
    Sony UWP Dual Wireless Lavalier Microphone system (470.025-542.000MHz):
    1 x URX-P03D two channel receiver; 2 x UTX-B40 body pack transmitters;
    2 x Sony ECM-V1BMP Lavalier Microphones
    30
    Schoeps CMC 641 Supercardioid Shotgun Microphone30
    Sennheiser MKH-416 Hypercardioid Shotgun Microphone15
    Electrovoice RE-20 Cardioid Dynamic Microphone15
    Tentacle Sync Time Code Generator15
    Rode Blimp MKII + boompole 2m10

    All prices in € and excluding VAT

  • The Visual Feminist Manifesto

    The Visual Feminist Manifesto

    Dates

    2, 4 & 8 February 2025International Film Festival Rotterdam (Premiere)

    Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

    The moment of birth, the possibilities of childhood, the growing pains of teenage years, the expectations imposed by society on young women: The Visual Feminist Manifesto explores how a woman’s life is crafted by the world around her. We are witness to the ways in which she makes meaning, both from her personal experience and how she is told she must behave, both deeply shaped by patriarchal structures. Repeatedly told that women are “less than”, her behaviour is made small by the threats of shame, fear, and ostracisation. All the while, she is seeking something more emancipatory.

    Farida Baqi brings us into the fold through the life of an unnamed woman in an Arab city, homing in on the experience of a cisgender woman making encounters with heterosexual desire. But the filmmaker’s ode will resonate with many, united through universal emotions of joy, pain, love, and frustration. 

    Contrasting shots depicting the urbanity of an Arab city and the gentle scenery of the seaside, Baqi makes a woman’s life inextricable from the spaces and places around her, all the while hinting at a more liberatory future forged through solidarity.

    Credits

    DirectorFarida Baqi
    MusicMad Kate | the Tide, HYENAZ, Lynn Adib
    Sound DesignStudio Mitte, HYENAZ
    ScreenplayFarida Baqi
    CinematographyJanne Ebel
    Principal castAmal el-Hani, Lynn Adib, Rosalie Cella, Gaël Abou Jaoude, Michelle Zallouaa, Norah Toledano, Alice Canzonieri
  • A Body Like Mine

    A Body Like Mine

    Premiere: DOC.BERLIN Film Festival 2023 / Winner: Best German Documentary
    International Premiere: 38th BFI Flare: London LGBTQIA+ Film Festival
    Broadcast/Streaming: 3SAT Germany 

    A BODY LIKE MINE is the poetic portrait of a young artist and activist named Puck (they/them). Puck is not their legal name, it is a character the artist has created and transforms into during their performances. As co-writer and protagonist of the film, the artist talks about how Puck’s existence helps them to feel more grounded in a world they experience as overwhelming. While Puck dares to do wild things, such as queer post porn and wrestling, Puck’s creator themself shares their vulnerability. In the film they contemplate the discrepancy between themself and their character: They talk about how they are often misunderstood, judged, and fetishized. How they are assigned gender stereotypes they don’t want to conform to. Puck’s activism consists of their visibility as a proud Black person and of staging themself as part of phantasies and images that bodies like theirs traditionally have been banished from.

    A BODY LIKE MINE is a fairy-tale like documentary. Conceived through the artistic collaboration between Puck and director Maja Classen, the film allows for an intimate and moving glimpse into Puck’s lifestyle, their inspirations, fears and experiences.-

    CREDITS

    DirectorMaja Classen
    WriterMaja Classen, Puck
    Director of PhotographyAlina Albrecht
    CastPuck, Bishop Black, Playgirls Mansion Collective, Manon Praline, Torri Lisek
    EditingThomas Krause and Maya Steinberg
    Original MusicVanessa Chartrand-Rodrigue
    Sound RecordistsAdrienne Teicher, Koenraad Ecker, Marina Funck
    Sounddesign & Final MixUwe Bossenz
    Production DesignerMiren Oller
    ProducerSaralisa Volm
    Production ManagerAnja Neuhaus
    In Co-produktion withZDF/3sat
    Production CompanyA POISON production
    DistributionDistributed by POISON
  • Chokehole

    Chokehole

    One hot summer night in New Orleans a drag collective staged wrestling night. They dressed up as their vibrant alter-egos, and proceeded to beat the living daylights out each other while the audience collectively lost their shit. That night, Chokehole was born. This documentary follows Chokehole as they take the show to Germany, sharing the stories of cast members as they grapple with racism, gender conformism, queer identity and America’s suppression of the arts.

    The film depicts the artists both with and without drag, sharing their larger-than-life and theatrical alter egos while displaying the unique vulnerabilities that lie behind the character. This film explores their loud, vibrant personas alongside their heart-breaking personal stories, and the adversity they’ve had to overcome to be accepted in the US. As the documentary progresses, we learn how each character copes with love, sex, transitions, post-trauma, and socioeconomics while offering a glimpse into their fantastical, vivid world… which is as much an escape for the artists as it is for the audience.

    “Chokehole: Drag Wrestlers do Deutschland” is the story of how disenfranchised, queer performers defeated all the odds to make a compelling theatrical show.

    Chokehole screened at New Orleans Film Festival, Outfest and Chicago Underground Film Festival.

    Credits

    DirectorYony Leyser
    Music & Sound DesignHYENAZ
    Sound RecordistsAdrienne Teicher & Kathryn Fischer
    CinematographyShane Thomas McMillan
    EditorRuth Schönegge
    Sound Re-recording MixerCornelius Rapp
  • The Fourth Generation

    The Fourth Generation

    Premiere – Vienna Queer Shorts Festival

    The Fourth Generation, is a homage to Berlin’s vibrant underground and the communities that breathe life into the city. The film is set in a dystopian future, but the themes explored are very real. Queer identity, feminism, sexuality and the intersection of politics and art. In the near future Professional provocateur and artist Maven Shegula has returned to Berlin after a hiatus in Zürich. She’s back to celebrate her 50th birthday, and to appear on a popular German talk show.

    As she wanders the streets of Berlin with her girlfriend and friend, it becomes apparent that being an artist in this city is no longer acceptable. The humming nightlife has disappeared, and the vibrant creative community pushed to the margins of society. The film is alive with tension, both sexual and otherwise. As Maven’s story unfurls on live television, we learn about her son, her politics, her  heritage and her alter-ego Rosa who champions radical self-expression and  feminism. The interview is dispersed with beautiful and volcanic eruptions from Maven that act as both a denunciation of the city’s leadership and a love letter to Berlin.

    Packed full of vibrant fashion, queerness, dark humour and experimental visuals, The Fourth Generation depicts every artists worst nightmare – and the lengths one woman will go to stand by
    what she believes in. The film features a predominantly trans and non-binary cast.

    Credits

    Directed and Written byYony Leyser
    Sound DesignHyenaz (Kathryn Fischer & Adrienne Teicher)
    CastAerea Negrot, Gigi Spelsberg, Yvon Jansen, Daniel Zillmann, Mano Thiravong, Mathea Hoffmann, Chilly Gonzales
    CinematographyPaul Faltz
    EditingHamed Mohammadi
    Art DirectorDarko Petrovic
    Production DesignJeff Schaul, Victoria Shved
    Costume DesignAlexis Mersmann
  • Körper Figurationen Welten

    Körper Figurationen Welten

    Körper Figurationen Welten introduces queer studies as a transdisciplinary research field in an intersectional way. The interplay of power and desire causes physical, mental and emotional movements in space and time. According to queer theory, these can solidify into domination, sometimes even take on violent forms; but they can also cause attraction, unexpected connections and movements, forms of pleasurable encounters or intimacy. Queer theory is power analysis and criticism of domination, which faces the contradicting challenge of criticizing difference as social inequality, but promoting it as uniqueness and particularity. The videos test experimental formats and queer aesthetics. Because the question of what is presented is directly related to the question of how it is presented. As is shown, in turn refers to possibilities and limits that are open to the imagination and desire or are set.

    The videos are freely available as Open Educational Resources at the following link: e.feu.de/queer-theory-videos

    The work was featured on the radio program “Gerecht Sprechen – Über die Lust auf Gendersternchen, neue Pronomen und Co.” hosted by Sabine Rolf on BR2.

    Credits

    Concept & Academic DirectionAntkek Engel
    Film ProductionFilmfetch (Magda Wystub; Tali Tiller)
    Sound DesignHYENAZ
    Produced byFernUniversität Hagen
  • Instinct

    Instinct

    DATES

    1 June 2024Tom of Finland Art & Culture Festival, Berghain Halle
    2 July 2021Pornceptual Cinema, Alte Münze, Berlin
    17 September 2021Sexclusivitäten, Berlin
    25 September 2021Queer Art Fest, Rågsveds Folkets hus, Stockholm
    29 September 2020Fusion Film Festival, Oslo
    29 November 2019Dirty Diaries 10 year Anniversary, Stockholm
    24-28 October 2019Porn Film Festival Berlin (honorable mention in the Porn Short Competition)

    Instinct is a queer metaphysical love story that weaves itself through real and imagined sexual encounters across darkrooms, forest cruising zones, and highway shoulders. Immersive and deeply layered, the film presents fantastical playgrounds where bodies imagine themselves in a multiplicity of forms and long for encounters without preconceived notions of what other bodies desire, what they will need, or how they should be touched. Instead, Instinct asks: what does it mean to actively (un)learn what we might assume about another body’s sex, gender, and desire?

    StreamPink Label

    Credits

    DirectorsEster Martin Bergsmark, Mad Kate, Adrienne Teicher, Marit Östberg
    StarringAdrienne Teicher, Buffalo Grove, Christopher, Ester Martin Bergsmark, Finn, Jared Gradinger, Liz Rosenfeld, Mad Kate, Mere, MYSTI, Nika, Ocsaj, Paulita Pappel, River Rose, Sadie Lune, Tom Ass, Walter Crasshole
    EditJasco Viefhues
    Line ProducerPaula Alamillo
  • The MultiVerse in a MouthFuck

    The MultiVerse in a MouthFuck

    Selected Dates

    June 7th–12th, 2022Post Porn Film Festival (Warsaw, Poland)
    October 6th–10th, 2021Porn Film Festival Vienna (Vienna, Austria) [BEST INTERNATIONAL SHORT FILM]
    September 10th–12th, 2021SECS FEST (online, USA) [BEST SEX-POSITIVE FILM]
    May 21st–30th, 2021Fairy Tales Queer Film Festival (Calgary, Canada)
    December 3rd, 2020CineKink NYC (online, US) [HONORABLE MENTION]
    November 20th–22nd, 2020Satyrs and Maenads: The Athens Porn Film Festival (Athens, Greece)
    September 28th, 2020Oslo/Fusion International Film Festival (Oslo, Norway)
    February 1st, 2020Excéntrico: Muestra Internacional de Pornografías Críticas (Santiago, Chile)
    October 2019Berlin PornFilmFestival (Berlin, Germany)

    A metaphysical trip of self discovery, from the seven principles of Hermetism to the seven keys to master our lives (Inspired by true fuckts)

    StreamPinkLabel

    Credits

    CastRafael Medina, JorgeTheObscene, Sultan of Filth, Schoko Channel, Tristan Rehbold, Medad Rangay, Jo Pollux, Kate Hole, Candy Flip, Mad Kate, Nicky Miller, Gio Black Peter
    Written, Directed, EditedJorgeTheObscene
    ProducerJorgeTheObscene
    Assistant DirectorDoxytocine
    Director of PhotographyTheo Meow, Jo Pollux
    CameraTheo Meow, Michal ANdrysiak
    Still PhotographyJo Pollux
    LightsMichal ANdrysiak
    Art/CostumesMad Kate, Michal ANdrysiak, EXIT
    Sound DesignHYENAZ
    Location Sound MixerHYENAZ
    Producer AssistantFelipe Carrasco
  • The Beauty of ReveRso

    The Beauty of ReveRso

    Credits

    StarringReveRso, Thea Adora Bauer, Chika Takahashi, Julietta la Doll, Yeorg Kronnagel, Sekou
    MusicHYENAZ
    Make-up ArtistYeorg Kronnagel
    Costume DesignReveRso, Yeorg Kronnagel
    Sound DesignJoscha Eickel
    Production AssistantLeo Carnein, Christoph Brunner
    Director of Photography, Editing, PostproductionLukas Kunzmann
    Written, Produced, Directed byBrent Adam
    Executive ProducerRainer Spix @ Who’s McQueen

    Selected Festivals

    • Hollywood International Independent Documentary Award 2018
    • Festival de Cannes Shortfilmcorner 2018
    • Redline International Filmfestival 2018 (4 nominations – winner “Best Documentary Short”)
    • Atlanta Docufest 2018 (winner: “Best Foreign Documentary Short”)
    • International Fashionfilm Festival Sarajevo 2018 (award winner “Best Story”)
  • Queercore

    Queercore

    DATES

    12 June 2017Sheffield Doc/Fest (Premiere)
    17 June 2017Frameline
    15 July 2017Outfest
    2018ARTE

    What happens when the community you need is not the community you have? Tell yourself it exists over and over, make fan zines that fabricate hordes of queer punk revolutionaries, create subversive movies, and distribute those movies widely—and slowly, the community you’ve fabricated might become a real and radical heartbeat that spreads internationally. This is the story that Queercore tells, from the start of a pseudo-movement in the mid-1980s, intended to punk the punk scene, to the widespread rise of artists who used radical queer identity to push back equally against gay assimilation and homophobic punk culture.

    Interviewees discuss homophobia, gender, feminism, AIDS, assimilation, sex, and, of course, art. The extensive participant list includes Bruce LaBruce, G.B. Jones, Genesis Breyer P-Orridge, John Waters, Justin Vivian Bond, Lynn Breedlove, Silas Howard, Pansy Division, Penny Arcade, Kathleen Hanna, Kim Gordon, Deke Elash, Tom Jennings, Team Dresch, and many more.

    Underscoring the interviews are clips from movies, zines, concerts, and actions iconic to the movement. As steeped in the radical queer, anti-capitalist, DIY, and give-no-fucks approach as queercore itself, the movie reveals the perspectives and experiences of bands, moviemakers, writers, and other outsiders, taking audiences inside the creation of the community—and art—so desperately needed by the same queers it encompassed.

    HYENAZ’s sonic architecture for the film is a love letter to the physical labor of zine-making. Xerox photocopiers grind and whir like industrial choirs, their rhythmic churning transformed into percussive beats. Scissors slice through tape and paper in crisp, ASMR-like bursts, while the rustle of collaged pages becomes a textured whisper of rebellion. By amplifying the mundane tools of zine culture into a visceral soundscape, HYENAZ resurrects the movement’s tactile grit, turning the act of cutting, copying, and stapling into an anthem for marginalized world-building.

    Credits

    Written and Directed byYony Leyser
    Produced byNina Berfelde
    StarringLynn Breedlove
    Kim Gordon
    Kathleen Hanna
    Silas Howard
    G.B. Jones
    Bruce LaBruce
    Genesis P-Orridge
    Peaches
    John Waters
    Music byHyenaz